OLAF BREUNING

EATMES

In 2006, I was invited by curator Mami Kataoka to be a part of a group show at the Mori Museum in Tokyo. The title was “All About Laughter”. Each time I visited Japan, I was fascinated by the fake food displays many restaurants present in their window displays. I decided to create a sculpture called “Eatmes”, creatures out of food. An ensemble like a small group of lost fantasy characters. We all agreed that this is a good idea and started to plan how to make it happen with me being in New York and the production in Japan. Generously, Mami devoted herself to taking over the coordination in Tokyo. I remember it was a few days before Christmas when I went shopping for food to create the work. My one-bedroom apartment in Battery Park City became a one-bedroom kitchen. Once I put the single sculptures together, I took photos, and after that, I took them apart to photograph all the single parts so that Mami could know what she had to buy in Japan. Of course, I could not send fresh food, so all the sculptures had to be rebuilt in Mami’s Kitchen and then brought freshly to the fabrication place where they had been molded and produced. By the time all my masterplans had been received, it was Christmas! The time when usually nothing goes. But not in Japan! Japanese celebrate New Year more than Christmas, so this worked out just fine. Still, I have to say, in all my years of working with curators, Mami was definitely the most dedicated one of all, and I still think of her when I look at the “Eatmes”.

First, we showed this piece at the museum, and I also think at Kodama Gallery, my representation in Tokyo. It is an Edition of three. The First Edition was sold to Takeo Obayashi, a lovely collector from Tokyo. The second one was traveling to Switzerland for my solo show at Migros Museum, Zuerich. After that, I vaguely remember it moved to Prague to Langhans Gallery and then to my retrospective at NRW Forum in Duesseldorf.  Now it is in Switzerland again, shown at Voegele Kulturzentrum. The third edition was split into single pieces and sold all over the place.

The Eatmes, PVC, different dimensions
Dracula Burger (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 10 x 30 x 30 cm (4 x 11 6 x 11 6 in.)
Bread Stick Brothers (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 20 x 20 x 35 cm (7 6 x 7 6 x 13 6 in.)
Japanese Woman (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 25 x 30 x 30 cm (9 6 x 11 6 x 11 6 in.)
Peppers (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 20 x 30 x 40 cm (7 6 x 11 6 x 15 6 in.)
Cheese Woman (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 15 x 15 x 30 cm (6 x 6 x 11 6 in.)
Meat Duck (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 25 x 25 x 30 cm (9 6 x 9 6 x 11 6 in.)
Onion Worm (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 20 x 20 x 40 cm (7 6 x 7 6 x 15 6 in.)
Green Peas Ghosts (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. :10 x 30 x 30 cm (4 x 11 6 x 11 6 in.)
Last One Standing (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. :10 x 30 x 30 cm (4 x 11 6 x 11 6 in.)
Pizza Face (Eatmes), 2007 Customized polyvinyl chloride 3 Ed. : 5 x 30 x 30 cm (2 x 11 6 x 11 6 in.)
Mori Museum, Tokyo, 2007
Migros Museum, Zuerich, 2007
Langhans Gallery, Prague, 2009
NRW Forum, Duesseldorf, 2016
Instructions to Japan for production